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Ivan Lešnik, (Slovenia)
"Classical" Instruments in Folk Music: Study Case from Slovene Istria
Andreas Meyer, (Germany)
"The Older Folks Used to Fiddle Around the Notes"
Playing the Violin for Tambrin Bands in Tobago (West Indies)
Irena Miholić, (Croatia)
Between "Classical" and "Folk": the Case of Tambura
Timkehet Teffera, (Germany)
"Classical" Instruments in Folk Music and Vice Versa: The Case Aerophones among East African Societies
Larry Francis Hilarian, (Malay)
The Folk Lute Gambus, a Symbol of Malay Identity and Islam
Gisa Jähnichen, (Germany)
Sardinian Air in Lao Pipes
Rudolf Pietsch, (Austria)
Folk Music Instruments in Austria and their Use as Symbols
Dan Lundberg, (Sweden)
Bjĺrsk Pipe in Blossom – on the Revitalisation Process of a Folk Musical Instrument
Arvydas Kirda, (Lithuania)
Music of Wooden Trumpets Ragai in the Context of Lithuanian Instrumental Polyphony
Jacek Jackowski, (Poland)
Traditional Custom of Kettledruming during Eucharistic Processions in Central Poland (Łowicz Mazovia Region Examples)
Irisa Priedite, (Latvia)
Kokle als ein Symbol in der lettischen bildenden und angewandten Kunst
Katrin Valk, (Estonia)
Labaga Kannel in Setumaa in the Beginning of the 20th Century: Musical Analysis of the Playing Tradition
Bo Nyberg, (Sweden)
Petersburgskaya – a Russian Accordion among the Estonian Swedes
Alla Sokolova, (Russia)
The Adyg Harmonica as the Symbolical Text
Rūta Žarskienė, (Lithuania)
Lithuanian Folk Instruments and Instrumental Music Referring to Data of Archive Records
Romualdas Apanavičius, (Lithuania)
History and Problems of Lithuanian Ethnoinstrumentology
Gunnar Ternhag, (Sweden)
The Mora-Harp: Museumisation and De-Museumisation
Riitta Rainio, (Finland)
Jingle Bells, Bells and Bell Pendants – Listening to the Iron Age Finland
Mojca Kovačič, (Slovenia)
Bell and Its Symbolic Role in Slovenia
Gvidas Vilys, (Lithuania)
Typology of Lithuanian Signal Instrument Kleketas
Rimantas Sliužinskas, (Lithuania)
Learning to Play on Lithuanian Kankles: Traditional and Contemporary Educational Methods
Gaila Kirdienė, (Lithuania)
A Polka "In Minor Mode" – Fiddle Music Style of West Lithuania (District Telšiai)
Hans-Hinrich Thedens, (Norway)
The Fender Telecaster – a Mass-Produced Modern Instrument as the Keeper of Tradition
Bernard Garaj, (Slovakia)
Fujara – a Symbol of the Slovak Folk Music and New Ways of its Musical Use
Alma Bejtullahu, (Slovenia)
Çifteli – a Tool of the Political Empowerment in Kosovo
Ingrid Bertleff, (Germany)
Can Musical Instruments be National? The Symbolic Use of Musical Instruments in Vietnamese National Representation
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