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Lujza Tari, (Hungary)
Some effects of vocal and instrumental music on each other: identities and differences
Miroslav Stojisavljević, (Serbia)
Gusle- the sound of Serbian epic poetry - perspectives of the tradition in modern Serbian society
Nana Zeh, (Germany/Brazil)
The Brazilian Cuica: the percussion instrument which plays melodies
Gisa Jähnichen, (Germany/Malaysia)
The Last of their Kind: Khmu Flute Songs
Rewadee Ungpho, (Thailand)
Pi Nai and Saw Sam Sai: the Special Instruments Imitating the Vocal Solo
Giuseppe Massimo Rizzo, (Italy)
Networked construction of Krk's island musical identities
Margaret Kartomi, (Australia)
Interaction between Violin (Biola) and Vocal Melody in Malay Sea Songs along Sumatra’s Coast
Naoko Nagai, (Japan)
A song not for singing? Historical scores for the qin (Chinese zither)
Rinko Fujita, (Japan/Austria)
Tofu-Rappa: Adaptation of Reed Aerophones in Japan
Vesna Ivkov, (Serbia)
Vocal/ (and) instrumental relation of melody performed by accordionists in Vojvodina
Timkehet Teffera, (Ethiopia/Germany)
Melodic Dialects of Ethiopian Folk Music Instruments: An Illustration of the six-stringed bowl lyre Krar of central and northern Ethiopia
Zlata Marjanović, (Serbia)
Ljubo Duletić's gusle and diple modulations
Contribution to the research of musical tradition of the Monte Negro Hinterland and Littoral regions
Ulrich Morgenstern, (Germany)
The garmoshka Player Mikhail Sorochinsky. A Young Non-revivalist musician in the Smolensk Region
Jürgen Elsner, (Germany)
Some Aspects of Dan-Singing in Yemen
Jasmina Talam, (Bosnia and Herzegovina)
Examples of an interesting practice: Singing by the pan
Svanibor Pettan and Ljuben Dimkaroski , (Slovenia)
Paleolithic Bone Flute from Divje babe revisited (II)
Joško Ćaleta, (Croatia)
"Re-shaping" of the tradition – Licitarsko srce tamburica collection
Nice Fracile, (Serbia)
Bagpipes "of Banat" in Vojvodina, between past and present
Kovač Marina, Čengić Amila, Toska Amra, (Bosnia and Herzegovina)
Bosnian instrumental rural practice: Soundscape of Rama
Panel Discussion
The Presence of Rural Instruments in Serbia Today
Mojca Kovačič, (Slovenia)
No laughter without bellows (Brez meha ni smeha) or accordion in Slovenia today
Irena Miholić, (Croatia)
Looking for “rural” instruments in the 21st Century – few Case Studies from Northern Croatia
Marco Lutzu, (Italy)
A New Device for the Analysis of Relations between Music and Gesture in Launeddas (Sardinia)
Vilena Vrbanić, (Croatia)
Bagpipes in modern musical practice in Croatia
Bernard Garaj, (Slovakia)
Rural musical instruments at the turn of two centuries: the case of bagpipes in Slovakia
Urša Šivic, (Slovenia)
Revival of traditional instruments under the label of authenticity
Panel Discussion
Pavo Gadanyi and Croatian bagpiping
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